By Mario Telò
Telò boldly lines Aristophanes’s upward push, mockingly, to the defeat of his play Clouds on the nice Dionysia of 423 BCE. shut readings of his revised Clouds and different works, akin to Wasps, discover references to the sooner Clouds, provided by way of Aristophanes as his failed try and heal the viewers, who're mirrored within the performs as a type of dysfunctional father. during this proto-canonical narrative of failure, grounded within the designated emotions of other comedian modes, Aristophanic comedy turns into forged as a prestigious item, a delicate, protecting cloak intended to guard audience from the debilitating results of opponents’ comedies and repair a feeling of paternal accountability and authority. institutions among fathers and therapeutic sons, among viewers and poet, are proven to be on the middle of the discourse that has formed Aristophanes’s canonical dominance ever since.
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Aristophanes and the Cloak of Comedy: Affect, Aesthetics, and the Canon by Mario Telò